whoever you are, wherever you’ve been
just take me to the beach
bam bam Bambi on the rosafields
whatever ever they told, whatever they talks, whatever still works
wherever we was, A life to love be my light i never get lost
in the darkest alright, thoughts
don’t let me down Bambi
aren’t the hallucination surroundin’ miss happy
photographs in the cloud and god will huntin’
miss Bam Bam Bambi
whoever you are, wherever you’ve been
just take me to the beach
bam bam Bambi on the rosafields (uh)
wouldn’t be nice, if she helps me dancing on Ice
red white wine takes time dear my plastic rose
shouldn’t she cry,
cause i am hero and ready to die for her
red white wine taste fine with a splash of lime,
am i again overdosed
don’t let me down Bambi
aren’t the hallucination surroundin’ miss happy
photographs in the cloud and god will huntin’
miss bam bam Bambi
whoever you are, wherever you’ve been
just take me to the beach
bam bam Bambi on the Rosafields (uh)
credits
released June 2, 2020
RedWhiteWine (MusicRecordLabel), RedWhiteWine,
Rapha Ello, Irish Music Rights Organisation (IMRO) Phonographic Performance Ireland Limited (PPI), Recorded Artists Actors Performers Ltd. (RAAP), ASCAP
ARMAUTHOR,
Phonographic Performance Company of Australia Ltd (PPCA), PlayRight, Société de l’Industrie Musicale / Muziek Industrie Maatschappij (SIMIM), Société de l’Industrie Musicale / Muziek Industrie Maatschappij (SIMIM), Re: SOUND, ASTERAS Collective Rights Management (ASTERAS), ASTERAS Collective Rights Management (ASTERAS), SODAIE – Dominican Republic Performer Society, SODAIE – Dominican Republic Performer Society, GRAMEX Finland, Société Civile des Producteurs Phonographiques (SCPP), Societe civile pour l’Administration des Droits des Artistes et Musiciens Interpretes, Gesellschaft zur Verwertung von Leistungsschutzrechten mbH (GVL), GRAMMO, EJI Civil Society, PPL India, Nuovo Istituto per la Tutela dei Diritti degli Artisti Interpreti Esecutori (Nuovo IMAIE), Consorzio Fonograficito (SCF), Jamaica Music Society (JAMMS), Center for Performers’ Rights Administration, Japan Council of Performers’ Organizations/Geidankyo (CPRA/Geidankyo), Recording Industry Association of Japan (RIAJ), Latvian Performers’ and Producers’ Association (LaiPA), Asociación Nacional de Intérpretes (ANDI), Sociedad Mexicana de Productores de Fonogramas Videogramas y Multimedia (SOMEXFON), Stichting ter Exploitatie van Naburige Rechten (SENA), Recorded Music New Zealand, PANAIE – Panama Performer Society, AIE-PARAGUAY – Paraguay Performer Society, SONIEM – Peru Performer Society, Gestão dos Direitos dos Artistas, VOIS (Russian Organization for Intellectual Property), RIAK (Recorded Industry Association of Korea), Asociación de Gestión de Derechos Intelectuales (AGEDI), Artistas Interpretes o Ejecutantes (AIE), Svenska Artisters och Musikers Intresseorganisation (SAMI), IFPI Sweden, Phonographic Performance Ltd (PPL), Ukrainian Music Alliance (UMA), Ukrainian Music Rights League (UMRL), AVINPRO – Venezuelan Performer Society,
ALBAUTOR, SADAIC, APRA, APRA, AAS,
COSCAP, SABAM, BSCAP, SQN, UBC, BeAT, MUSICAUTOR, SOCAN, SCD, SAYCO, ACAM, HDS, OSA, KODA, SGACEDOM, ECCO, SAYCE, SACIM, EAU, TEOSTO, SACEM, GCA, GEMA, AEPI, AEI, AACIMH, CASH, ARTISJUS, STEF, IPRS, WAMI, ACUM, SIAE, JACAP, JASRAC, KaZAK, KOMCA, AKKA-LAA, LATGA-A, MACA, ZAMP, MACP, MRMS, SACM, MRCSN, BUMA, TONO, APA, MCSC, APDAYC, FILSCAP, ZAiKS, SPA, SPAC, UCMR-ADA, RAO, SOKOJ, COMPASS, SOZA, SAZAS, SAMRO, SGAE, STIM, SUISA, MUST, MCT, COTT, MESAM, UPRS, UACRR, PRS, AGADU, GAI UZ, SACVEN, VCPMC, ZAMCOPS
I am a independent free soul music lover and like the good things in the world. I love to enjoy happiness and i am use to those in any kind. By the way i am a musician who designs DogTags.
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