nobody knows me
like the keyboard
in grandmothers living room
when i’m alone
i try to play a song for you
when i was young and unbroken
you was my inspiration
as a child i was in safety
when i woke up in the night
nobody heard me playing
i’m a big big boy now
in a big big world
and sometimes
don’t matter how hard i try
i feel cursed
i’m a big big boy now
in a big big world
and sometimes
don’t matter how hard i try
i feel cursed
and i pray for many years
and i let blood sweat and tears
and i fight against the past and the fear
i’m a big big boy now
in a big big world
and sometimes
don’t matter how hard i try
i feel cursed
i’m a big big boy now
in a big big world
and sometimes
don’t matter how hard i try
i feel cursed
but i would always be there
you would always be here
until we are in heaven or our souls disappears
i’m a big big boy now
in a big big world
and sometimes
don’t matter how hard i try
i feel cursed
i’m a big big boy now
in a big big world
and sometimes
don’t matter how hard i try
i feel cursed
credits
RedWhiteWine (MusicRecordLabel), RedWhiteWine,
Rapha Ello, Irish Music Rights Organisation (IMRO) Phonographic Performance Ireland Limited (PPI), Recorded Artists Actors Performers Ltd. (RAAP), ASCAP
ARMAUTHOR,
Phonographic Performance Company of Australia Ltd (PPCA), PlayRight, Société de l’Industrie Musicale / Muziek Industrie Maatschappij (SIMIM), Société de l’Industrie Musicale / Muziek Industrie Maatschappij (SIMIM), Re: SOUND, ASTERAS Collective Rights Management (ASTERAS), ASTERAS Collective Rights Management (ASTERAS), SODAIE – Dominican Republic Performer Society, SODAIE – Dominican Republic Performer Society, GRAMEX Finland, Société Civile des Producteurs Phonographiques (SCPP), Societe civile pour l’Administration des Droits des Artistes et Musiciens Interpretes, Gesellschaft zur Verwertung von Leistungsschutzrechten mbH (GVL), GRAMMO, EJI Civil Society, PPL India, Nuovo Istituto per la Tutela dei Diritti degli Artisti Interpreti Esecutori (Nuovo IMAIE), Consorzio Fonograficito (SCF), Jamaica Music Society (JAMMS), Center for Performers’ Rights Administration, Japan Council of Performers’ Organizations/Geidankyo (CPRA/Geidankyo), Recording Industry Association of Japan (RIAJ), Latvian Performers’ and Producers’ Association (LaiPA), Asociación Nacional de Intérpretes (ANDI), Sociedad Mexicana de Productores de Fonogramas Videogramas y Multimedia (SOMEXFON), Stichting ter Exploitatie van Naburige Rechten (SENA), Recorded Music New Zealand, PANAIE – Panama Performer Society, AIE-PARAGUAY – Paraguay Performer Society, SONIEM – Peru Performer Society, Gestão dos Direitos dos Artistas, VOIS (Russian Organization for Intellectual Property), RIAK (Recorded Industry Association of Korea), Asociación de Gestión de Derechos Intelectuales (AGEDI), Artistas Interpretes o Ejecutantes (AIE), Svenska Artisters och Musikers Intresseorganisation (SAMI), IFPI Sweden, Phonographic Performance Ltd (PPL), Ukrainian Music Alliance (UMA), Ukrainian Music Rights League (UMRL), AVINPRO – Venezuelan Performer Society,
ALBAUTOR, SADAIC, APRA, APRA, AAS,
COSCAP, SABAM, BSCAP, SQN, UBC, BeAT, MUSICAUTOR, SOCAN, SCD, SAYCO, ACAM, HDS, OSA, KODA, SGACEDOM, ECCO, SAYCE, SACIM, EAU, TEOSTO, SACEM, GCA, GEMA, AEPI, AEI, AACIMH, CASH, ARTISJUS, STEF, IPRS, WAMI, ACUM, SIAE, JACAP, JASRAC, KaZAK, KOMCA, AKKA-LAA, LATGA-A, MACA, ZAMP, MACP, MRMS, SACM, MRCSN, BUMA, TONO, APA, MCSC, APDAYC, FILSCAP, ZAiKS, SPA, SPAC, UCMR-ADA, RAO, SOKOJ, COMPASS, SOZA, SAZAS, SAMRO, SGAE, STIM, SUISA, MUST, MCT, COTT, MESAM, UPRS, UACRR, PRS, AGADU, GAI UZ, SACVEN, VCPMC, ZAMCOPS
I am a independent free soul music lover and like the good things in the world. I love to enjoy happiness and i am use to those in any kind. By the way i am a musician who designs DogTags.
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